This episode opens with Ichabod running from the headless horseman in the woods. It seems quite apparent that this is a dream when the other three horsemen join in the chase. Crane is cornered, and some vines entangle and trap him. Rather than holding him at bay for the horsemen, he falls through the earth into a cave.

His wife Katrina is there, and tells him they are safe for now. But, the horsemen will unleash the apocalypse, as well as an army of evil that will make way for the horsemen’s arrival. The first of the dark spirits will rise with the blood moon, and she “is one of us”. At this point I felt like I was watching Disney’s A Christmas Carol, and was waiting for Crane to say “Well can’t they just all visit me at one time and get it over with?”

As was expected, this was a dream, and Crane wakes up in a hotel room. He tries to leave, but the officer posted at his door will not let him, and makes him wait for Abbie to arrive.

It’s been awhile since you’ve heard from me.  There just wasn’t much summer TV that I was interested in.  And yes, I am THAT guy who has not watched any Breaking Bad.  But don’t worry, it’s on Netflix instant, so I will get to it at some point.  I mean, I only have like 7 seasons of The X-Files to go.

Over the past year, some strong personal (and I’m sure staff) favorites have been Arrow, American Horror Story, The Walking Dead, Grimm, and The Following.  And have no fear; we will be recapping all of those shows this season.  I also wanted to throw in some new shows for this fall, as there were actually 15 that piqued my interest in one way or another.

But I managed to narrow it down to 4, based on obvious time restraints, as well as what fits well for this site.  So in addition to the 5 “regulars” that I mentioned above, the 4 new fall shows that you be seeing reviewed here every week (for however many weeks they last) are: The 100 (CW), Dracula (NBC), Agents S.H.I.E.L.D. (ABC), and Sleepy Hollow (FOX).

I haven’t decided yet on ABC’s midseason debuting Resurrection.  It seems to have sort of a The 4400 vibe to it.  And the fact that Red Foreman in it is definitely a plus.  So you may be seeing reviews for that one as well.

Prison guard Jordy comes up to a girl at a sorority house, saying that he’d like to secure their doors and windows as a precaution, even if Carroll was already caught. She lets him in, and he suggests that they start in a room at the end of the hallway.

Jordy tells the girl he has studied the house a lot, and pulls out a bag that he threw up there earlier. He calls it his “kit”, and says that it is important to have the right tools. He has been planning this for a long time, and lunges at the girl.

Denise (real name Emma Hill) and the two “gay” neighbors (real names Jacob Wells and Paul Torres) arrive at a house with Claire’s son Joey. She has told Joey that they are on an adventure, and his mother said not to call her.

Hardy is introduced to agent Deborah Parker, the new lead in the investigation. The old lead has been moved off the case for leaving Hardy alone with Carroll in the interrogation room, which led to Hardy breaking three of Carroll’s fingers.

Parker is questioning Hardy about his past when they are informed that there has been another murder. They arrive at the sorority house to find that 3 girls have been killed. The killer was very sloppy, and they are able to determine that is was Jordy based on all the fingerprints.

Welcome to the newest feature on The Flickcast. Get ready to see a ton of recaps in geek TV. The Walking Dead. American Horror Story. Arrow. We are going to do our best to keep you up to date with whats going on in case you miss an episode. Just remember, since this is a recap, there will be spoilers below so don’t read on unless you are prepared for that!

Season 2 Episode 10 – ‘The Name Game’

This episode of American Horror Story: Asylum focuses on Dr. Arden bringing Kit back from the dead. Kit asks the doctor if “they” came, and Arden tells him they did not. It is actually unclear if they showed up or not, but a flashback shows that Grace reappeared, pregnant and very alive. Arden has hidden her away and looksto experiment. Arden wants to perform an emergency C-Section to see what is inside Grace, but the tools fly out his hands, proving that “they” are indeed always watching.

It turns out that the Angel of Death did not appear to the Monsignor to end his life, but rather to warn him that the devil was inside Sister Mary Eunice. The angel tells the Monsignor that his rosary beads will keep the devil from entering his mind.

A&E is setting up a new series that will serve as a prequel to Hitchcock’s classic Psycho. The new show, Bates Motel, will attempt to tell the tale of how young Norman went from mama’s boy to psychopathic killer and the show has just cast its Norma Bates.

The news comes from Deadline which is reporting that academy award nominated actress Vera Farmiga is set to take on the role:

[Bates Motel] examines the twisted relationship between serial killer-to-be Norman Bates and his mother Norma. Farmiga will play Norma Louise Bates who is described as passionate, and compelling, a smart, multidimensional character who is always capable of surprising us. The Universal TV-produced Bates Motel has a 10-episode straight-to-series order for a 2013 premiere.

Between Bates Motel and Hannibal, it looks like TV execs are very interested in using the TV format to explore the unexplored pasts of some of cinema’s greatest killers. Hopefully the long form nature of a TV series will provide a better venue to tell these tales as opposed to prequel movies that have thus far been very uninspired.

The good news is A&E does have faith in the show as they already ordered it straight to series with out the need for a pilot. So it will have more of a chance to tell its tale sans the ratings pressure that Hannibal will feel over at NBC.

Keep tuned to The Flickcast for more news from the impending series as it gears toward production.

If you have never had a chance to experience Halloween Horror Nights at either of the Universal Theme Parks, you are missing out. No theme park fully embraces a holiday quite like Universal.

They take their normal park and transform it into a series of haunted houses and amusements all set to different themes and franchises. While the are not always scary, the production values are always of the highest order. You also have to traverse through the park knowing at any time people with chainsaws could be jumping up behind you at any time.

Good clean fun.

This year Universal is adding two new franchises to their stable of haunted houses, Silent Hill and The Walking Dead. The Silent Hill attraction, announced at comic-con, is the first to be based on a video game. The haunted house will most likely take it’s cues from the iconic imagery of the early games and the upcoming movie.

The Walking Dead attraction was just made official today. While zombies are nothing new to the Halloween Horror Nights experience, The Walking Dead as a franchise offers a very specific escape and survive experience that will be fun to re-live if they can pull it off.

Check out a preview teaser of The Walking Dead attraction after the jump and try to find your self at a Universal Park this fall for some spooky fun.

Jaws (1975) is the first summer blockbuster and is considered by critics and fans alike as one of the greatest films ever made. After success with the TV thriller Duel (1972) and his first theatrical release of The Sugarland Express (1974), director Steven Spielberg set out to adapt Peter Benchley’s novel about a Great White shark which terrorizes a small New England beach community. The screenplay was co-written by Benchley, actor-writer Carl Gottlieb (M*A*S*H*), and an un-credited John Milius who helped with some of the film’s most memorable dialogue like “You’re gonna need a bigger boat” and the legendary U.S.S. Indianapolis speech.

The film opens with one of the greatest sequences ever shot. A young woman leaves a bonfire beach gathering to go skinny-dipping in the ocean while being chased by an inebriated young man. The young man ends up passing out in the surf while the woman swims out to the middle of the channel. An underwater low angle shot represents the point of view of the shark as it begins to stalk its prey. John William’s haunting score builds as the young woman is thrashed around and is pulled under by the shark. This scene did to ocean night swimming, what Psycho (1960) did for women’s showering.

It is really unfair to be disappointed in a film because of bad casting luck early in its production. Alex Cross originally was meant to star the phenomenal Idris Elba as the titular detective, in what was supposed to be a more exciting and action oriented take on the character.

Then Mr. Elba had to back out and we got left with Tyler Perry. Now I don’t hate the films of Tyler Perry, I just never watch them. They are not made for me, so I don’t feel the urge to sit down with them. Perry was inoffensive enough in his brief role in Star Trek, so the news wasn’t immediately  loathsome.

Then this trailer hits, and all the regret and lament for what could have been comes rushing back. For the people who do not know what Alex Cross is all about, here is the synopsis:

After Washington DC detective Alex Cross is told that a family member has been murdered, he vows to track down the killer. He soon discovers that she was not his first victim and that things are now what they seem.

Despite the lead, the film has some fantastic actors, and the trailer makes it seem that most of them are on their A game.

Check out the new trailer after the jump.

Bryan Fuller, the creative mastermind behind Wonderfalls, Pushing Daises and choice episodes of Heroes and Star Trek: Deep Space Nine, might very well have two new shows on the air next season. We already told you about his two new projects likely to hit screens this season.

Now we are getting word from EW that the already greenlit Hannibal series will have a cable-esque 13 episode season one:

Hannibal, which has received a 13-episode series order, features Lecter solving crimes with empathic FBI profiler Will Graham (Hugh Dancy). For the first time, viewers will spend quality time with Lecter while he’s at large and before the world knows his secrets, working side by side with a similarly brilliant man who is destined to catch him.

What we have is Alfred Hitchcock’s principle of suspense — show the audience the bomb under the table and let them sweat when it’s going to go boom. So the audience knows who Hannibal is so we don’t have to overplay his villainy. We get to subvert his legacy and give the audience twists and turns.

Sounds mighty interesting. If Fuller and company can pull of this tight rope we might have a pretty great show on our hands. Fuller is certainly very capable, but this year will see him tackle two very well known properties. It will be interesting to see how he handles each one.

High above the East River in a cable tram, an international terrorist has taken several U.N. delegates hostage and has declared war on New York City. Only one cop stands in the way of this madman’s insidious plot. This is the premise behind the action thriller Nighthawks (1981), which stars Sylvester Stallone, Billy Dee Williams, and in his American film debut Rutger Hauer as Wulfgar.

Sylvester Stallone stars as Detective Sergeant Deke DaSilva, a tough NY street cop who is about to be pitted against one of the world’s most deadly terrorists. The film opens up in NYC on New Years Eve as both DaSilva and his partner Sgt. Matt Fox (Williams), members of a street crime unit that targets scumbags and pickpockets, ring in the New Year after they arrest three men in a sting operation. DaSilva chases one of the muggers onto the platform of the 174^th street station in the Bronx, where he apprehends the man after he resists arrest.

On the very same day across the Atlantic Ocean in London, England, Heymar Wulfgar (Hauer) targets a department store in another terrorist bombing which is a statement against British Imperialism. He warns the press that he will strike again and that there is nothing anyone can do to stop him. Being so well known in Europe, and after the killing of a terrorist contact, Wulgar undergoes plastic surgery in order to clandestinely sneak across international borders and to continue his terrorist plots.