I don’t think anyone expects Abraham Lincoln: Vampire Hunter to be good. Or decent. Or anything more than this summer’s Snakes on a Plane. Which, to some degree, it is. I liked Snakes on a Plane because it delivered precisely what the title promised.

The movie opens with the young Lincoln defending a freed slave from being taken back to the South and otherwise cruel treatment at the hand of vicious Jack Barts (Marton Csokas). That night, Barts sneaks into the Lincoln household and promptly kills his mother.

Some years later, Lincoln (Benjamin Walker)’s working as a clerk for Joshua Speed (It’s Always Sunny in Philadelphia’s Jimmi Simpson), biding his time until he can kill Barts. After a heavy night at the bar, Lincoln makes his move, shooting Barts in the eye and getting quite the surprise when he discovers that Barts is a vampire.

This week On the Radar bring a whole slew of new and interesting stuff. Let us know if we missed anything.

• The Flickcast’s own Elisabeth Rappe reports from the set of Jonah Hex (for another site but we don’t care, we love her).

• James Cameron says 3D will replace 2D soon. Yes, but when will substance replace style?

• True Blood gets a comic book. At least that’s better than a Lady Gaga comic. . . oh, wait.

• Heroes to get the axe? Isn’t it about time, really? The show has pretty much sucked sense Season One.

• Judge Dredd is returning to the big screen. He is the law, dammit!

• Some guys made a Mega Man movie. Why? Why the hell not?

• Hayden Christensen to help rip off The Da Vinci Code in The Genesis Code. But what about the younglings?

• Michael Bay says the Racist Robots will be banished from Transformers 3. On a related note, Michael Bay is a liar.

It’s not just Hollywood that seems obsessed with 3D technology lately. It’s also video game makers Sony and Microsoft, who have both talked up their forthcoming 3D gaming strategies, as well as flat-panel makers like Samsung, Sony and Vizio, who are poised to flood the market with 3D-capable TV’s as soon as this summer. And now, Google is getting in on this much-hyped technology.

Despite criticisms of 3D as yet another cheap marketing gimmick, it seems a veritable wave of 3D products and content are poised to crash down on us consumers like it or not, and Google is getting their feet wet with a shiny new 3D feature of their Google Street View. Available via Google Maps, zoom into a particular location and you are likely to find a “street view” which allows you to tilt and pan your way around a photographic representation of the neighborhood you are exploring.

Launched recently and without much fan-fare, Google’s street view now features a new icon of a little guy wearing the iconic green and red 3D glasses. Known internally to Google as the “Pegman,” click that little guy and he’ll transform your standard street view into a fully stereoscopic image of the neighborhood. Pardon me, while I go find my 3D glasses. If you’ve got your glasses strapped on as well, check out the 3D screenshot of the Arclight Theater in L.A. after the jump.

Much like the shark was in Jaws, I tend to think cool monsters should be left in the shadows and revealed at the last possible moment. I think that definitely should apply to a creature like the Kraken. Apparently, the studio in charge of the upcoming Clash of the Titans movie, Warner Bros. to be exact, doesn’t agree.

In fact, they’ve let the cat, er Kraken, out of the bag way early, in the form of a new poster released exclusively by the folks at UGO. In this latest poster, the Kraken looms large and Perseus is, well, looking rather small. In fact, it looks like he’s about to become a nice late afternoon snack for the Kraken, complete with Pegasus chaser. Not a great way to spend your day.

Click through for a larger look at the new poster. In case you forgot, Clash of the Titans, directed by Louis Leterrier, stars Sam Worthington, Liam Neeson, Ralph Fiennes, Danny Huston and Gemma Arterton. It hits theaters on March 26.

I have a real appreciation for natural disaster flicks. Volcano, Dante’s Peak, 2012, I love them all and it doesn’t matter how absurd they may be.  One personal favorite is Twister. This film came with a whole bunch of destruction with a baked in love story between Bill Paxton and Helen Hunt.  Because nothing says I love you better then sharing the moment of running scared from a category five tornado.

Even with the success of his show Big Love, Paxton wants another Twister film.  Some may scoff at the idea but I’d love to see a sequel. Paxton said the inspiration for the the film came to him while retracing the path of the 1925 Tri-State Tornado. This massive tornado left a path of destruction 219 miles wide and killed 700 people. Paxton said:

“There’s actually footage that I found in Murphysboro at their historical society. They had footage from a biplane that the government sent down, just to do aerial footage of all of the destruction and the damage. So we just did that to kind of get some ideas, and from that I kind of extrapolated an idea for a sequel. And I kind of put that together into a format, and now we’re kind of waiting to see if that’s going to move forward.”

One thing to consider about doing a film like this is how it would be accepted by audiences. Until 2012, the disaster film genre kind of disappeared (Cloverfield doesn’t count, it was a monster after all). In that time the real world has suffered some major disasters of its own (e.g. Hurricane Katrina). This is not to say we didn’t have major disasters when Twister was originally released, but I feel there’s a higher social awareness surrounding the tragedy of the events rather than the sensational nature of them.

It’s easy to go on about how much money Avatar is making at the box office. However, a more interesting result of the film’s success is the possibility that it proved 3-D can be far more than just a gimmick.  Instead of having objects fly out at the audience James Cameron used the technology to pull viewers into the environment.  It was such a simple twist on 3-D I’m surprised nobody thought of it before now.

However, with Avatar’s explosion in popularity, and everyone it seems hoping on the 3-D bandwagon, Cameron may have unintentionally become the “3-D guy”.  Any projects he takes on moving forward people are going to anticipate some kind of 3D component, which may not necessarily be the case.

As such, I (along with everyone else writing about this story) have to assume that Cameron could have 3-D plans in mind for the book The Last Train From Hiroshima. Cameron has optioned the rights to the book by Charles Pellegrino which probably means he plans on making either a documentary or movie based on it.  Moreover, Cameron purchased the rights with his own money, which isn’t really a stretch given two of his films, Avatar and Titanic, have made over a billion dollars each.

Pellegrino’s book “…takes place over two days and weaves together eyewitness accounts of the Japanese civilians and American pilots who experienced the atomic explosions firsthand.”

While most people will be rushing out to see Jim Cameron’s newest masterpiece, Avatar, for the spectacle, others may have a new reason to spend the extra money on seeing the film in 3-D. The Weinstein Company and Dimension Films have just announced that the very first trailer for next Spring’s Piranha 3D will debut exclusively before selected 3-D and 2-D showings of Avatar.

The film is the second trailer to the 1978 film Piranha, directed by Joe Dante (Gremlins 2: The New Batch), while the first two films were pretty cheap and a bit hokey, Dimension promises that the newest incarnation will be made to scare.

From acclaimed director Alexandre Aja (“The Hills Have Eyes”) comes the new action thriller PIRANHA 3D, in the latest eye-popping 3D technology. After a sudden underwater tremor sets free scores of the prehistoric man-eating fish, an unlikely group of strangers must band together to stop themselves from becoming fish food for the area’s new razor-toothed residents.

Sure, all the news and focus of the internet, right now, is on the new Iron Man 2 trailer which, in my opinion deserves the amount of excitement that it’s inspired. But, that’s not what we’re talking about now. The new trailer for Tim Burton’s Alice in Wonderland, is online and gives us a pretty thorough, and spectacular glimpse into Burton’s creation of Wonderland.

We see the White Rabbit, the Red Queen and her main man, The Knave of Hearts, and yes, the Mad Hatter. It looks fantastical, and certainly Burton inspired, if still in that candy-coated look that he’s had on previous film Charlie and the Chocolate Factory.

The film’s synopsis reads as, “19 year-old Alice, returns to the whimsical world she first encountered as a young girl, embarks on a fantastical journey to find her true destiny and end the Red Queen’s reign of terror.” And the trailer gives us glimpses of the Jabberwock, the Mad Hatter’s companions the Dormouse and the March Hare; as well as the Cheshire Cat, and Tweedledee and Tweedledum.

The film features Johnny Depp, Anne Hathaway, Helena Bonham Carter, Stephen Fry, Alan Rickman, and Mia Wasikowska as Alice, along with a multitude of others. It’s scheduled for release March 10, 2010, in 3-D and IMAX.

With it’s common threads of obsession and neckwear, the Harry Knowles-hosted birthday bash was also host to a number of movie premieres and rare to find films this year. First was the coup of getting Avatar screened in 3-D, which garnered praise from most of the audience of guests and film critics. Knowles was also able to get a copy of Shutter Island, Martin Scorsese’s latest which has been pushed back until next year.

About this film, according to Anne Thompson’s blog, a viewer said: “It’s a version of Angel Heart without The Devil…I figured it out a third of the way through.” I still hold out that it’ll blow me away, much like it seemed to “Head Geek” Knowles, who called it a “brilliant movie.”

But apparently, the movie that overshadowed them all was Matthew Vaughn’s comic book adaptation Kick-Ass, which is about people (mostly kids) who put on superhero costumes, fight crime, get beat up, and a 10 year old that kills lots of people. Knowles compared it to John Woo’s Hard Boiled, only calling it “far more entertaining than that though, creating many iconic and thoroughly mind blowing sequences.”

Some of the other interesting movies to screen at the event were the Scorsese-suggested The Red Shoes, Powell and Pressburger’s classic about ballet; Jean-Pierre Jeunet’s newest, Micmacs, which is labeled as “satire on the world arms trade” and, finally a sneak peak at the Iron Man 2 trailer. The full list, and Knowles’ description of how all the films fit together, can be found on Ain’t It Cool’s website.

Moviefone has gotten access to a new still from the upcoming Disney/Pixar Animation film Toy Story 3 showing the whole gang in their new setting. The immediate thing that sticks out to me is the cinematic scope that the image gives us – possibly inherited from the steps forward that PIXAR has made in its recent films, such as Wall-E and Up, where they’re presenting a more realistic, if still stylized, reality.

It could also be part of the effect of the movie being shot for 3-D, so it’s giving us that deeper sense of space and immersion into the environment. Wanting to see what the differences are in look, and possibly style, that director Lee Unkrich might be bringing to the series, I looked up these other stills/production shots from the previous two movies in the Toy Story franchise.

See if you can tell a difference and see the progression in these images after the jump. Also, check out the larger photo from Toy Story 3 as well.