That’s right, it’s time for an all-new episode of The Flickcast! Finally, right? We had some issues last week but we think we’ve got ’em sorted out now. Well, at least the ones having to do with the podcast anyway. What are you gonna do, right?

On this week’s episode Chris and Joe jump into the new Fall TV season and discuss some of the shows they’re looking forward to seeing (and some they’re not). The shows you should probably check out include Blindspot, Minority Report, Supergirl, Ash vs. Evil Dead, Con Man, The Man In The High Castle and The Muppets. Shows you should probably avoid include Quantico, Life In Pieces, Heroes Reborn and The Bastard Executioner. There’s also quite a bit of talk about how great the show Longmire is. In fact …

Picks this week are unanimous in that both Chris and Joe pick the 4th season of Longmire, which recently arrived on Netflix. How’s that for consensus?

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

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It’s time for an all-new episode of The Flickcast! And it’s even on time. Yes, we’re excited too.

On this week’s show Chris and Joe discuss all sorts of new and recurring topics, like they always do. Some of these topics include developments at the recent D23 Disney show in Anaheim, Star Wars theme parks, Colin Trevorrow directing a Star Wars movie, more Marvel stuff including Captain America: Civil War and Doctor Strange, Mr. Robot, a potential cameo appearance in an upcoming Star Wars movie by Darth Vader himself and a whole lot more, more more.

Picks this week include Chris’ pick of The End of All Things, the latest novel by John Scalzi, and Joe’s pick of Kyle Baker’s graphic novel Why I Hate Saturn.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

Subscribe: Apple Podcasts | Spotify | iHeartRadio | Stitcher | TuneIn | RSS

Another week already? Yes indeed. So you know what that means? A brand new episode of The Flickcast is here. As usual, no need to thank us. We do it for the love.

On this week’s show, Chris and Joe talk about a whole bunch of stuff including the new Star Wars spin-off movie Rogue 1, the Force Awakens prequel comic, HBO Now, the Apple Watch, Con Man with Nathan Fillion and Alan Tudyk, how much Disney likes money, and much, much more. It’s a big episode so be prepared!

Picks this week include Chris’ pick of the classic animated series Star Blazers and Joe’s pick of the album Please Come Home by Lonely Robot.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

Subscribe: Apple Podcasts | Spotify | iHeartRadio | Stitcher | TuneIn | RSS

Hey, nobody would be happier than we would if Firefly came back to TV. Or, if they did another movie sequel or prequel to Serenity. Sadly, even though Josss Whedon is a huge success with Avengers, we don’t think either of those is a real possibility.

However, that isn’t stopping Science Channel, which runs the original Firefly series pretty much every day, from doing a new TV special about the show. That’s right, to celebrate the cult-classic’s 10th anniversary, the channel is shooting said one-hour special, called Browncoats Unite, at the the Firefly cast reunion at Comic-Con this week.

“Firefly is a landmark work of science fiction and a favorite with our viewers,” said Debbie Myers, general manager and executive vp of Science. “Ever since it premiered on Science, fans have asked us to do something special to mark its 10-year anniversary. With this signature celebration, punctuated by Browncoats Unite, we will connect the minds behind this classic franchise with its legions of passionate fans.”

Joss Whedon and Nathan Fillion are expected to appear on Friday’s panel. In addition, Alan Tudyk, Summer Glau, Adam Baldwin, Sean Maher and writer Tim Minear are also expected. Browncoats Unite will air on Science, along with an all-day marathon of Firefly episodes, on Sunday, Nov. 11.

I don’t think anyone expects Abraham Lincoln: Vampire Hunter to be good. Or decent. Or anything more than this summer’s Snakes on a Plane. Which, to some degree, it is. I liked Snakes on a Plane because it delivered precisely what the title promised.

The movie opens with the young Lincoln defending a freed slave from being taken back to the South and otherwise cruel treatment at the hand of vicious Jack Barts (Marton Csokas). That night, Barts sneaks into the Lincoln household and promptly kills his mother.

Some years later, Lincoln (Benjamin Walker)’s working as a clerk for Joshua Speed (It’s Always Sunny in Philadelphia’s Jimmi Simpson), biding his time until he can kill Barts. After a heavy night at the bar, Lincoln makes his move, shooting Barts in the eye and getting quite the surprise when he discovers that Barts is a vampire.

I finally got to see Tucker & Dale VS Evil. It played last year at SXSW, and I didn’t have a chance to see it then—even though I interviewed the director Eli Craig following the premiere. The first thing he said to me:

Eli: So, how’d you like the movie?

Me: Uhh. I didn’t have a chance to see it.

Eli: Really? Oh man!

Me: [thinking how bad that sounds and how much of an idiot he must think I am for interviewing him about a movie I haven’t actually seen] Well, everyone who’s seen it seems to have liked it.

Eli: Really! Cool!

The interview picked up from there, thanks to the fact that Eli’s a really nice and enthusiastic guy who was perfectly content to talk horror movies. The fact that it was a gorgeous day in Austin and we were seated on the patio of one of its most pleasant restaurants—I forget the actual name, but it overlooks some water, has the décor of an old saw mill, and I believe has either the word “Tractor” or “Goat” in the title”—helped.

Tucker & Dale vs Evil is a comedy horror film about two hillbillies on their dream vacation to a cabin in the woods who get mistaken for kidnappers when they try to help out a girl that fell into the lake.  Completed in 2010, this film has had a tough time finding a distributor after it premiered at Sundance.

I sat down with the director, Eli Craig, to talk about his experience with this film.  The conversation started off light, with him telling me about the new trailer that was premiering that weekend at their panel in Hall H.

The Flickast: So are you having a good weekend?  Have you gotten to experience Comic Con at all?

EC: I haven’t.  I’ve just been doing these interviews.  But I do want to go check it out.  My 5 year-old son is in there somewhere running around with a chainsaw and a hillbilly costume.

When asked about his role in Jaws 4: The Revenge, Michael Caine once said, “I never saw it—but I saw the house it paid for, and it’s fantastic!” I suspect John Turturro’s been saying something similar for the past four years whenever he’s asked about the Transformers movies. Now we can add John Malkovich and Frances McDormand to that group. And maybe Alan Tudyk.

The plot is as labyrinthine as it is unnecessary. Back in the early 1960s, a ship from war-torn Cybertron (if the Transformers spend all their time fighting, how did they ever evolve?) crashed on the moon. Among the cargo were several “Pillars” that have some sort of significance to the war.

Also, a big, tough Autobot named Sentinal Prime. The White House gets wise to this, and thus we have the impetus for the moon landing (apparently, many historical events were due to Transformers; they don’t get around to revealing that car in which Kennedy was shot was an Autobot, but there may be a fourth film).

Fast-forward to the present day, where the Autobots are now working for the Feds to preserve humanity (how did we ever get along without them?). While on a mission to Chernobyl, Optimus Prime discovers some remnant of the Pillars and decides that it’s high time to revive Sentinal. Also, the Pillars are somehow able to teleport things, which means that it can be used to bring an army of invading Decepticons to earth (according to Frances McDormand, National Intelligence Director).

Beautiful Boy has an undeniably appealing premise—what do the parents of school shooter go through? And it has two very good actors—Michael Sheen and Maria Bello—who fully commit to their roles. Sheen and Bello play Bill and Kate Carroll, the parents of Sam (Kyle Gallner), the freshman who goes on a shooting spree at his college before killing himself.

Director Shawn Ku begins almost in medias res, as it’s only a matter of minutes for the premise to be established before Bill and Kate, and by extension the audience, are confronted with a flurry of television cameras, media pundits, and frustrated parents looking for someone to blame. The couple’s first instinct is to shut themselves up in their house and ignore the rest of the world, but the media hounds are relentless, and the two retreat to the home of Kate’s brother Erik (Alan Tudyk), his wife (Moon Bloodgood), and their small child.

When you run a website like The Flickcast, you are often lucky enough to see movies in advance of their release to the general public. Or, in the case of the horror comedy Tucker & Dale Versus Evil, way in advance.

I first saw this movie last year during Austin’s South By Southwest Film Festival and reviewed it for the site. Now, over a year later, the film has finally found distribution through Magnolia Pictures Magnet Releasing arm.

To save you the trouble of reading my review I will tell you that at the time I didn’t fall madly in love with the movie. However, it was fun and leads Tyler Labine, Alan Tudyk and Katrina Bowden are likeable and very watchable.

The film has problems, of course, as to many movies these days. I don’t really blame it for its problems, though, as it aspires to do a lot and is mostly limited by its extremely modest budget. I definitely give director Eli Craig points for at least trying to do something.

So, I’m happy more people will get a chance to experience Tucker & Dale Vs Evil. Plus, if the film does well we may be able to see what director Craig does with a larger budget.

Expect Tucker & Dale Vs. Evil to hit VOD on August 26th and then theaters on September 30th. For more info, click through for the full press release.